1、中國銀行2021筆試閱讀理解真題中國銀行校園招聘筆試英語的難度跟六級和考研的難度差不多,而且時間非常緊張,根本不夠用的.題型大致分為：單項選擇老六級、改錯、完型、閱讀、閱讀新題型段落排序、句子排序、快速閱讀等,題量筆研究生測試的題量還要大,而且時間只給一個半小時.本文為2021年筆試的閱讀的一篇,并提供答案解析以供參考.Proponentsofdifferentjazzstyleshavealwaysarguedthattheirpredecessor"smusicalstyledidnotincludeessentialcharacteristicsthatdefinejazzas

2、jazz.Thus,1940"sswingwasbelittledbybeboppersofthe1950''swhowerethemselvesattackedbyfreejazzesofthe1960''s.Theneoboppersofthe1980''sand1990''sattackedalmosteverybodyelse.ThetitanicfigureofBlacksaxophonistJohnColtranehascomplicatedtheargumentsmadebyproponentsofstyl

3、esfrombebopthroughneobopbecauseinhisownmusicaljourneyhedrewfromallthosestyles.Hisinfluenceonalltypesofjazzwasimmeasurable.Attheheightofhispopularity,Coltranelargelyabandonedplayingbebop,thestylethathadbroughthimfame,toexploretheouterreachesofjazz.Coltranehimselfprobablybelievedthattheonlyessentialch

4、aracteristicofjazzwasimprovisation,theoneconstantinhisjourneyfrombeboptoopen-endedimprovisationsonmodal,Indian,andAfricanmelodies.Ontheotherhand,thisdoggedstudentandprodigioustechnician-whoinsistedonspendinghourseachdaypracticingscalesfromtheorybooks-wasneverabletojettisoncompletelytheinfluenceofbeb

5、op,withitsfastandelaboratechainsofnotesandornamentsonmelody.TwostylisticcharacteristicsshapedthewayColtraneplayedthetenorsaxophone:hefavoredplayingfastrunsofnotesbuiltonamelodyanddependedonheavy,regularlyaccentedbeats.ThefirstledColtranetosheetsofsoundwhereheracedfasterandfaster,pile-drivingnotesint

6、oeachothertosuggeststackedharmonies.Thesecondmeantthathissenseofrhythmwasalmostasclosetorockastobebop.ThreerecordingsillustrateColtrane''senergizingexplorations.RecordingKindofBluewithMilesDavis,Coltranefoundhimselfoutsidebop,exploringmodalmelodies.Hereheplayedsurging,lengthysolosbuiltlargel

7、yaroundrepeatedmotifsanorganizingprincipleunlikethatoffreejazzsaxophoneplayerOrnetteColeman,whomodulatedoralteredmelodiesinhissolos.OnGiantSteps,Coltranedebutedasleader,introducinghisowncompositions.Herethesheetsofsound,downbeataccents,repetitions,andgreatspeedarepartofeachsolo,andthevarietyofthesha

8、pesofhisphrasesisunique.Coltrane''ssearchingexplorationsproducedsolidachievement.MyFavoriteThingswasanotherkindofwatershed.HereColtraneplayedthesopranosaxophone,aninstrumentseldomusedbyjazzmusicians.Musically,theresultswereastounding.Withthesoprano''spipingsound,ideasthathadsoundedda

9、rkandbroodingacquiredafeelingofgiddyfantasy.WhenColtranebeganrecordingfortheImpulse!Label,hewasstillsearching.Hismusicbecameraucous,physical.Hisinfluenceonrockerswasenormous,includingJimiHendrix,therockguitarist,who,followingColtrane,raisedtheextendedguitarsolousingrepeatedmotifstoakindofrockartform

10、.TheprimarypurposeofthetextistoA discusstheplaceofColtraneintheworldofjazzanddescribehismusicalexplorations.B examinethenatureofbebopandcontrastitwithimprovisationaljazz.C analyzethemusicalsourcesofColtrane''sstyleandtheirinfluenceonhiswork.D acknowledgetheinfluenceofColtrane''smusic

11、onrockmusicandrockmusicians.Whichofthefollowingbestdescribestheorganizationofthefourthparagraph?A Athesisreferredtoearlierinthetextismentionedandillustratedwiththreespecificexamples.B Athesisisstatedandthreeexamplesaregiveneachsuggestingthatacorrectionneedstobemadetoathesisreferredtoearlierinthetext

12、.C Athesisreferredtoearlierinthetextismentioned,andthreeexamplesarepresentedandrankedinorderoftheirsupportofthethesis.D Athesisisstated,threeseeminglyopposingexamplesarepresented,andtheirunderlyingcorrespondenceisexplained.Accordingtothetext,JohnColtranedidallofthefollowingduringhiscareerEXCEPTA imp

13、roviseonmelodiesfromanumberofdifferentcultures.B performasleaderaswellassoloist.C spendtimeimprovinghistechnicalskills.D eliminatetheinfluenceofbeboponhisownmusic.AccordingtothetextamajordifferencebetweenColtraneandotherjazzmusicianswastheA degreetowhichColtrane''smusicencompassedallofjazz.B

14、 repetitionofmotifsthatColtraneusedinhissolos.C numberofhisowncompositionsthatColtranerecorded.D indifferenceColtranemaintainedtomusicaltechnique.Intermsofitstoneandform,thetextcanbestbecharacterizedasA dogmaticexplanation.B indignantdenial.C enthusiasticpraise.D speculativestudy.答案與考點(diǎn)解析答案AA.考生在解考點(diǎn)解

15、析此題是一道中央主旨題.第一段的倒數(shù)第一、二句是全文的中央主旨句,全文就是根據(jù)這兩句話展開論述的.抓住這兩句話就可以找出此題的正確選項題時,尤其是破解中央主旨題時,一定要先找出全文的中央主旨句.答案C考點(diǎn)解析這是一道例舉證與細(xì)節(jié)理解題.第四段第一句明確指出“三張唱片為科爾特蘭尼富有活力的探索提供了證實(shí).這說明第四段將講述三個例子用來說明在前一段即第三段所提出的論點(diǎn).另外這三個例子是按著先后順序給出的,因此此題的正確選項是C.考生在解題時要注意段落之間的相互關(guān)系,更要注意句子之間的相互關(guān)系.答案D考點(diǎn)解析這是一道細(xì)節(jié)理解題型.此題屬于比擬難的題型,由于此題的涉及面比擬廣.此題A、B、C選項的內(nèi)容

16、分別在第二段第一句、第四段第三四句和第二段第二句提到過.故此題的正確選項應(yīng)該是D.其實(shí)這道題外表上非常難,但是對于善于捕捉全文中央主旨句的同學(xué)來講確比擬容易,由于從第一段第四句的原因狀語從句中就可以推導(dǎo)出此題的正確答案D.考生在解題時應(yīng)時時牢記全文的中央主旨句.答案A考點(diǎn)解析此題是一道審題定位題型.根據(jù)此題題干中的"otherjazzmusicians可將此題的答案信息來源定位在第一段的第一至四句,由于在這四句話中提到了其它的爵士音樂家.第一段第四句的狀語從句明確指出了“Coltrane與其它音樂家的不同在于他吸收了各種風(fēng)格的爵士音樂.故此題的正確答案應(yīng)該是A.考生在解題時應(yīng)重視審題

17、定位.答案C考點(diǎn)解析此題是一道歸納推導(dǎo)題型.細(xì)心的同學(xué)可從本文作者在論述時使用的詞語中推導(dǎo)出此題的正確答案C.例如作者在第一段第四句的主語上使用了“titanicfigure；在第五句使用了"hisinfluencewasimmeasurable在最后一段的第三句使用了“hisinfluencewasenormous",這都反映了作者的"enthusiasticpraise".考生在解題時要重視原文作者在表達(dá)觀點(diǎn)時的遣詞造句.參考譯文不同的爵士樂風(fēng)格的支持者一貫認(rèn)為他們前輩的音樂風(fēng)格沒有包括那些使爵士樂之所以成為爵士樂的本質(zhì)特征.這樣,二十世紀(jì)五十年代的

18、比波普派輕視二十世紀(jì)四十年代的搖擺音樂派,而他們自己又受到二十世紀(jì)六十年代的自由爵士派的抨擊.二十世紀(jì)八十至九十年代的新比波普派幾乎對任何其他人都進(jìn)行抨擊.而黑人薩克斯管巨匠約翰科爾特蘭尼使這些從比波普派到新比波普派的支持者所提出的主張更加復(fù)雜化,由于在他自己的音樂例程中,他經(jīng)歷了所有這些風(fēng)格.他對所有爵士音樂的風(fēng)格的影響是不可估量的.在他最受歡送的時期,科爾特蘭尼根本上放棄了比波普風(fēng)格的演奏以便探索爵士樂更深的處延,然而正是比波普風(fēng)格的演奏使得他成名.科爾特蘭尼自己可能認(rèn)為爵士樂的唯一本質(zhì)特征就是即興創(chuàng)作,這是他從比波普風(fēng)格到對形式音樂、印度音樂、非洲音樂的自由即興演奏的歷程中一直沒有改變的.另一方面,這個頑強(qiáng)的學(xué)生和異常的技巧家每天花幾個小時用以練習(xí)理論書籍上的曲譜,從未能完全拋棄比波普的影響,在他的旋律中可以找到帶有比波普特點(diǎn)的快速和精細(xì)的音符以及修飾效果.有兩種風(fēng)格特征影響了科爾特蘭尼演奏男高音薩克斯管的方式：他喜歡對建立于一種旋律上的音符進(jìn)行快速的演奏,同時也依賴于強(qiáng)有力的、有規(guī)律的重音節(jié)奏.