2024-2025學年度高一第二學期期末調(diào)研測試

英悟試題

一、閱讀理解（共2節(jié)滿分50分）

第一節(jié)閱讀（共15小題滿分37?5分）

A

PicturingPickwick:TheArtofThePickwickPapers

Publishedseriallyfrom1836to1837,ThePickwickPapersformedCharlesDickens'sfirstnovel.Ithelpedto

kick-startDickens'scareer,andcontinuestoexcitereaders'imaginationstoday.

PicturingPickwickexplorestheillustrationsofthisincrediblebook,whichbeganwiththecooperationbetween

DickensandtheillustratorRobertSeymour.Theexhibition,whichrunsfrom6thApril2024to11thSeptember2024,

explorestherelationshipbetweenDickensandhisillustrators,andincludesoriginalillustrationsofThePickwick

Papers,apageoftheoriginalmanuscript,andhistoricmonthlyinstalments（連載）of（hesiory,someofwhichwas

pennedhereal48DoughtyStreet.

TheexhibitionshowcasesaseriesofworksbyAnnaMarongiu,anItalianartistwhocreated262illustrationsof

ThePickwickPapersbetween1928and1929.Theserichartworkspicturescenesfromthenovelthathaverarely

beenillustrated.ThisisthefirsttimetheyhavebeenondisplayintheUKtocelebratetheuniquetalentofMarongiu,

whoseownlifewascutshortin1941byaplanecrashwhenshewasjust34.HerPickwickserieswasgiventothe

CharlesDickensMuseumbyherfamilyinthe1980s.

ThePickwickPaperscausedasensationwhenitwaspublished,inspiringTickwickClubs,andsocietiestobe

setupinhonourofthework.Theexhibitionfeaturesitemsincludingan1837PickwickClubMinuteBook,which

recordsthedebatesofonesuchsociety.Thedisplaywillalso

notetheinternationalreactiontothenovel,exploringhowthestorycametoItaly,whereitwouldinspiresuch

incredibleartistrywithinMarongiu.

Admission:Adult:￡12.50;Child6-16years:￡7.50;Child<6years:Free.

Address:TheCharlesDickensMuseum,48DoughtyStreet,LondonWON2LX.

I.Whatcanbelearnedabout（heexhibition?

A.Ittakesplaceinthesecondhalfof2024.

B.ItrevealsthestoriesbehindThePickwickPapers.

C.ItexploresDickens'searlycareer.

D.ItinvitesvisitorstoillustrateDickens'snovels.

2.WhatdoweknowaboutMarongij?

A.Shewasn'tacknowledgedasanartistuntil1941.

B.Shewasn'tinterestedinDickens'swritingstyles.

C.Shediedyoungbecauseofaseriousdisease.

DShedidherPickwickseriesinthe1920s.

3.Howmuchshoulda5-year-oldboyandhisparentspayfortheexhibition?

A.￡20.00.B.￡25.00.

C.￡32.50.D.￡37.50.

【答案】l.B2.D3.B

【解析】

【導語】這是一篇應(yīng)用文。文章介紹2024年4月6日至9月11日，倫敦狄更斯博物館舉辦"Picturing

Pickwick”展覽，展示《匹克威克外傳》插圖等，含馬隆吉烏作品，介紹相關(guān)背景。

【I題詳解】

推理判斷題。根據(jù)第二段PicturingPickwickexplorestheillustrationsofthisincrediblebook,whichbegan

withthecooperationbetweenDickensandtheillustratorRobertSeymour.Theexhibition,whichrunsfrom6th

April2024（o11thSeptember2024,explorestherelationshipbetweenDickensandhisillustrators,andincludes

originalillustrationsofThePickwickPapers,apageof（heoriginalmanuscript,andhistoricmonthlyinstalments

（連載）ofthestory,someofwhichwaspennedhereat48DoughtyStrcct.（PicturingPickwick探索了這本令人難

以置信的書的插圖，這始于狄更斯和插畫家羅伯特?西摩的合作。這次展覽將于2。24年4月6日至2U24

年9月II日舉行，探索了狄更斯和他的插畫家之間的關(guān)系，包格《匹克威克外傳》的原始插圖、一頁原

始手稿，以及故事的歷史性月度分期作品，其中一些是在道蒂街48號寫的。）”可知，這次展覽揭示了

《匹克威克外傳》背后的故事，包括插圖創(chuàng)作以及狄更斯和插畫家的關(guān)系等。故選B項。

【2題詳解】

細節(jié)理解題。根據(jù)第三段“TheexhibitionshowcasesaseriesofworksbyAnnaMarongiu,anItalianartistwho

created262illustrationsofThePickwickPapersbetween1928and1929.（展覽展示了意大利藝術(shù)家安娜?馬降

吉烏的一系列作品，她在1928年至1929年間為《匹克威克外傳》創(chuàng)作了262幅插圖。）”可知，馬隆吉烏

在20世紀20年代創(chuàng)作了她的“匹克威克”系列作品。故選D項。

【3題詳解】

細節(jié)理解題。根據(jù)倒數(shù)第二段Admission:（門票:）“Adult:￡12.50;Child6-16years:￡7.50;Chi'd<6years:

Free.（成人：12.50英鎊；6-16歲兒童：7.50英鎊；6歲以下兒童：免費）”可知，一個5歲男孩和他的

父母去參觀展覽，父母需購買兩張成人票，共￡12.50x2=￡25.00,5歲男孩免費，所以他們一共需要支付

25英鎊。故選B項。

B

In2023,thefossil（化石）ofaprehistoricbirdwasdiscoveredinChina.Thebird,calledBaminornis,lived150

millionyearsago.Itmaybetheoldestbirdeverdiscoveredandchangesthetimelineofbirdevolution,astudyhas

found.

BaminornisisthesecondbirdknowntohavelivedduringtheJurassicperiod（侏羅紀時代）.Thefirst,called

Archaeopteryx,wasdiscoveredin1862inGermany.Archaeopteryxhadmanydinosaur-likefeatures,whichhelped

scienlistsdeterminethatbirdshadevolvedfromdinosaurs.Formorethan150yearsafterArchaeopteryxwasfound,

however,nootherbirdsfromthatperiodwerediscovered.Thatleftscientistswithagapinknowledgeaboutbird

evolution.Theythoughttherewereotherflyingbirdsduringthatperiod,buttheyhadnofossiltoproveit.The

discoveryofBaminornischangedthatandalsohelpedscientistsunderstandtheprocessofbirdevolutionbetter.

ThoughArchaeopteryxandBaminornisarcfromthesameperiod,theyhavekeydifferences.Archaeopteryx

wasaboutthesizeofamoderncrow（烏鴉）andcouldonlyflyforashorttime.Baminorniswassmaller.Likemodern

birds,ithadashorttail（haihelpeditflysmoothly.Thedevelopmentofshorttailswasessentialinhelpingbirds

evolveintobetterflyers.Thetailor.Baminornisindicatedthatitwasmoreadvancedinitsevolutioncomparedto

Archaeopteryx.

“Whendinosaursevolvedintobirds,thebiggestchangeistheshrinkageofthetail.''saidMinWang,wholed

theresearch.

BeforeBaminorniswasdiscovered,scientistshadonlyfoundbirdswithshorttailsthatlivedabout20million

yearslater.ButBaminornissuggestedthatbirdevolutionstartedmillionsofyearsearlierthanresearcherspreviously

realized.

4.WhyisthediscoveryofBaminornissignificant?

A.Ithelpedscientistsdeterminetheoriginofbirds.

B.Itfilledthegapinknowledgeabcutbirdevolution.

C.ItcontributedtothediscoveryofArchaeopteryx.

D.IthelpedscientistsdiscoverotherbirdsfromtheJurassicperiod.

5.HowdidBaminornisdifferfromArchaeopteryx?

A.Baminorniswaslargerinsize.B.Baminorniscouldflybelter.

C.Baminornislookedmorelikedinosaurs.D.BaminornislivedintheJurassicperiod.

6.Whatdocstheunderlinedword“shrinkage”meaninparagraph4?

主旨大意題。根據(jù)第一段“In2023,thefossil（化石）ofaprehistoricbirdwasdiscoveredinChina.Thebird,

calledBaminornis,lived150millior.yearsago.Itmaybetheoldestbirdeverdiscoveredandchanges（hetimeline

ofbirdevolution,astudyhasfound.（2023年，在中國發(fā)現(xiàn)了一種史前鳥類的化石。這種鳥被稱為巴閩鳥，生

活在L5億年前。一項研究發(fā)現(xiàn)，它可能是迄今為止發(fā)現(xiàn)的最古老的鳥類，改寫了鳥類進化的時間線）”

可知，文章主要介紹2023年在中國發(fā)現(xiàn)的史前鳥類巴閩鳥化石，它可能改寫鳥類進化時間線，助力科學

家更好理解鳥類進化過程。D選項“Baminornisfossilrewritesbirdhistory（巴閩鳥化石重寫鳥類歷史）”為

最佳標題。故選D項。

C

Oneofthetopsourcesofaddedsugarinchildren'sdietsinAmericaisintheirbreakfastcereal（麥片）.Astudy

publishedintheAmericanJournalofPreventiveMedicineshowsthatadvertisingdrivessalesofhigh-sugarcereals

whenit'saimeddirectlyatkidsunder12-butnotwhenittargetsadults.

Inthestudy,researcherslookedatallcerealspurchasedby77,000U.S.householdsoveranine-yearperiod,

between2008and2017.TheyalsolookedatNielsenratingsdata,whichcloselymonitoredalltheadsthatpeople

inahouseholdsaw-bothchildrenandadults.Whattheyfoundwasastrongrelationshipbetweenhowmuch

advertisingwastargetedtokidsandhowmuchsugarycereal（hathouseholdswithchildrenbought.Bycontrast,

therewasnolinktoincreasedpurchaseswhenadstargetedadults.Andtheseextensivedataalsoshowed（hat

beliaviorsthatwerelearnedinchildhoodcouldtrackintoadulthood,whichcouldleadtopoorhealthoutcomesover

alifetime.

Thestudyisthefirsttodirectlycomparetheinfluenceoffoodadvertisingexposurebychildrenv/iththatof

adults.Thefindingsoffernovelevidenceofhowfoodmarketingturnschildrenintothe“ultimatewcapon,,in

influencingfamilyspendingbecausetheyconsistentlyasktheirparentstopurchaseaconceptknownas^pester

power”.

ThefoodindustrylaunchedtheChildren'sFoodandBeverageAdvertisingInitiative,avoluntaryefTbrtto

policeitself.The21participatingfoodcompaniesmadeacommitmenttocutbackonmarketingunhealthyfoodsto

childrenunder12—laterrevisedtounder13.Anewstudyconductedin2024showedthatchildren'sexposureto

cerealadsonTVprogrammingaimedatkidshasdroppeddramatically.

ButLindseySmithTaillie,afoodpolicyresearcherattheUniversityofNorthCarolinaatChapelHill,says

thesevoluntaryeffortsaren'lmakingadifference.Advertisements,likekids'eyeballs,aremovingonl,ne,makingit

evenharder（oknowwhatmarketingchildrenarebeingexposedto.Taillienotes.

8.Whatdidthestudyfindaboutchild-targetedfoodads?

A.Theyhadnoconnectionwithadults'purchases.

B.Theywerelesseffectivethanadult-targetedads.

C.Theymightaffectchildren'shealthin(helongrun.

D.Theycouldreducechildren'sinterestinsugaryfood.

9.Whatdoestheunderlinedphrase,pesterpower“inparagraph3mean?

A.Parents'unconditionallove.B.Children'suncontrolledspending.

C.Parents'growingconsumption.D.Children,srepeatedpurchaserequests.

1().Whatisparagraph4mainlyabout?

A.Anexpectationforfurtherstudy.B.Thefbllow-upinfluenceofthestudy.

C.Alimitationoftheresearchmethod.D.Thepotentialapplicationofthefindings.

11.WhatisTailie'sattitudetowardthevoluntaryefforts?

A.Favorable.B.Tolerant.C.Disapproving.D.Reserved.

【答案】8.C9.D10.B11.C

【解^5]

【導語】本文是一篇說明文。文章主要講述了針對兒童的高糖爰片廣告對家庭購買行為的影響及其長期健

康危害，并討論了相關(guān)政策效果與局限性。

【8題詳解】

細節(jié)理解題。根據(jù)第二段中MWhattheyfoundwasastrongrelationshipbetweenhowmuchadvertisingwas

targetedtokidsandhowmuchsugarycerealthathouseholdswithchildrenbought.Bycontrast,therewasnolinkto

increasedpurchaseswhenadstargetedadults.Andtheseextensivedataalsoshowedthatbehaviorsthatwere

learnedinchildhoodcouldtrackintoadulthood,whichcouldleadtopoorhealthoutcomesoveralifetime.（他們發(fā)

現(xiàn)，針對兒童的廣告投放量與有孩子的家庭購買的高糖麥片的數(shù)量之間存在著緊密的聯(lián)系。柞比之下，當

廣告以成年人為目標群體時，廣告投放量與家庭購買量的增加沒有關(guān)聯(lián)。而且這些廣泛的數(shù)據(jù)還表明，童

年時期養(yǎng)成的行為習慣會延續(xù)到成年，這可能會在一生中導致不良的健康后果）”可知，研究發(fā)現(xiàn)針對兒童

的食品廣告可能會影響兒童的長期健康。故選C。

【9題詳解】

詞句猜測題。根據(jù)畫線短語所在句"Thefindingsoffernovelevidenceofhowfoodmarketingturnschildren

intothe“ultimateweapon''ininfluencingfamilyspendingbecausetheyconsistentlyasktheirparentstopurchasea

conceptknownas"pesterpower”.（這些研究結(jié)果為食品營銷如何將兒童變成影響家庭消費的“終極武器”提

供了新的證據(jù)，因為孩子們會不斷要求父母購買，這就是所謂的pesterpower）”可知，研究發(fā)現(xiàn)食品營銷

如何將兒童變成影響家庭消費的“終極武器”，因為孩子們不斷地要求父母購買，即畫線短語“pester

power”指的是孩子們反復的購買請求。故選D。

no題詳解】

主旨大意題。根據(jù)第四段“ThefoodindustrylaunchedtheChildren'sFoodandBeverageAdvertisingInitiative,

avoluntaryefforttopoliceitself.The21participatingfoodcompaniesmadeacommitmenttocutbackon

marketingunhealthyfoodstochildrenunder12—laterrevisedtounder13.Anewstudyconductedin2024

showedthatchildren'sexposuretocerealadsonTVprogrammingaimedatkidshasdroppeddramatically.（食品行

、也發(fā)起了“兒童食品和飲料廣告倡議”，這是一項自愿的自我監(jiān)管努力。21家參與的食品公司承諾減少向

12歲以下兒童推銷不健康食品，后來這一年齡限制被修改為13歲以下。2024年進行的一項新研究表明，

兒童接觸針對兒童的電視節(jié)目中的麥片廣告大幅減少）”可知，第四段主要講了研究的后續(xù)影響。故選B.

【11題詳解】

推理判斷題。根據(jù)最后一段“ButLindseySmithTaillie,afoodpolicyresearcherattheUniversityofNorth

CarolinaatChapelHill,saysthesevoluntaryeffortsaren'tmakingadifference.Advertisements,likekids,eyeballs,

aremovingonline,makingitevenhardertoknowwhatmarketingchildrenarebeingexposedto,Taillienotes.（但

北卡羅來納大學教堂山分校的食品政策研究員LindseySmithTa川ie表示，這些自愿的努力并沒有起到什么

作用。Taillie指出，廣告就像孩子們的眼睛一樣，正在向網(wǎng)絡(luò)轉(zhuǎn)移，這使得人們更難知道孩子們接觸到了

什么樣的營銷）”可推知，Tallie對自愿的努力持不贊成態(tài)度。故選C。

D

Forcenturies,whatmakeshumancreativitysopreciousisnotonlythefinalproductsityields,butalsotheeffort

behindtheircreation.ButinaworldwhereAIcangenerateanythingwiththeclickofabutton,howdowedistinguish

whattrulymatters?Howdoeshuman-madeartsurvives?

Throughouthistory,themostfamousworksofart,literature,andmusichavecarriedasenseoflabor,dedication,

andmastery.Wedon'tjustadmire:heendproduct;weadmirehowitcametobe.MasterpieceslikeVanGogh's

“SlarryNight“sustainnotsimplyfortheirartisticbeauty,butforthehumanstoriestheycarry.Theyremindusthat

artisnotjustaboutbeautyorskill—ilisaboutintention,persistence,andwhatmakesushuman.

AsAIfloodstheworldwithinstantbeauty,we'reenteringaneraof“aestheticinflation'',whereperfectly

composedimages,poeticstyle,andmovie-likestorytellingareavailabletoanyone,instantlyandatnocost.This

makesusthinkaboutwhenbeautyiseffortlessandendless,docshumancreationsstillhavevalue?

Buthumanimperfectionisn'taweakness—it'spartofwhowcarc,shapingourunderstandingofhumanity.

Ourstruggles,mistakes,andlimitationsaren'tjustdifficultiestoovercome—they'repartofwhatgiveslifemeaning.

Inthislight,Al'sabilitytocreateperfectartfeelsalmostunnatural—arejectionofthestrugglethatgivescreativity

itsweight.Itmayachievetechnicalperfection—butatthecostoftheoriginalenergythatmakesartstirfeelings

withinpeople.Evenatitsmostimpressive,Al-gcncratcdartoftenfeelsempty.Ithasnorealemotionsorexperiences,

andnoclearcreator,failingtocreateunexpectedsurprisesandarousesharedemotionwithaudience.

Therefore,(opreservemeaning,selectionandcontextbecomemorecrucial.AsAIcanproduceendlesscontent,

thehumanelementslikecontext,narrativeandthereasoningbehindartbecomethetruevaluesource.Also,AIcan

beacreativecollaboratorratherthanareplacement,refiningideaswhilekeepinghumanimperfectionandfeeling,

andactingasanamplifier(放大鏡)ofhumanvision.

12.Whydomasterpieceslike“StarryNight”remainvaluableintheAIera?

A.Theyrepresentuniquehumancharacteristics.

B.Theyshowcasebrilliantartisticcreationskill.

C.Theyarecreatedthroughlongproductionprocesses.

D.Theycontainhumanemotionaldepthandcreativeeffort.

13.Whydoestheauthormention“aestheticinflation''inparagraph3?

A.TodemonstrateAl'sefficiencyinartcreation.

B.ToprovethatAI-generatedartismoreaffordable.

C.Tocriticizetheoveruseoftechnologyinartcreation.

D.Tostressthedevaluationofbeautyduetomassproduction.

14.Howdoes(heaulhordeveloptheargumentinthepassage?

A.Bygivingexamples.

B.Bygivingdefinitions.

C.Bymakingcomparisons.

D.Bymakingclassifications.

15.Whatisasuitabletitleforthetext?

A.AGuidetoPerfectAnwithAI

B.HowtoCreateArtintheAgeofAI

C.WhyHumanArtStillMattersintheAIAge

D.ANewRevolutioninArtCreationbroughtbyAI

【答案】12.D13.D14.C15.C

【解析】

【導語】本文是一篇議論文。文章探討了在人工智能時代，人類藝術(shù)如何存續(xù)，指出人類藝術(shù)因包含情感深

度和創(chuàng)作努力而仍具價值，A1可作為創(chuàng)作伙伴。

【12題詳解】

細節(jié)理解題。根據(jù)第二段中°MasterpieceslikeVanGogh's"StarryNight“sustainnotsimplyfortheirartistic

beauty,butforthehumanstoriestheycarry.Theyremindusthatartisnotjustaboutbeautyorskill—itisabout

intention,persistence,andwhatmakesushuman.（像梵高的《星夜》這樣的杰作之所以經(jīng)久不衰，不僅僅是因

為它們的藝術(shù)之美，還因為它們承載著人類的故事。它們提醒我們，藝術(shù)不僅僅關(guān)乎美或技巧一一它關(guān)乎意

圖、堅持以及使我們成為人類的東西）”可知，《星夜》等杰作在人工智能時代仍有價值是因為它們承載著人

類的故事，包含人類的情感深度和創(chuàng)作努力。故選D項。

13題詳解】

推理判斷題。根據(jù)第三段中“AsAIfloodstheworldwithinstantbeauty,we'reenteringaneraof"aesthetic

inflation,,,whereperfectlycomposedimages,poeticstyle,andmovielikestorytellingareavailabletoanyone,

instantlyandalnocost.Thismakesus（hinkaboutwhenbeautyisefTorllessandendless,doeshumancreationsstill

havevalue?（隨著人工智能用即時之美充斥世界，我們正在進入一個“審美通脹”的時代，在這個時代，完美

構(gòu)圖的圖像、詩意的風格和電影版的敘事任何人都可以即時免費獲得。這讓我們思考，當美來得輕而易舉且

無窮無盡時，人類的創(chuàng)作還有價值嗎?）"可知，作者提到“審美通張”是為了強調(diào)由于大規(guī)模生產(chǎn)導致美的

貶值。故選D項。

【14題詳解】

推理判斷題。根據(jù)第四段中wOurstruggles,mistakes,andlimitationsaren'tjustdifficultiestoovercome—they're

panofwhatgiveslifemeaning.Inthislight,Al'sabilitytocreateperfectartfeelsalmostunnatural—arejectionof

thestrugglethatgivescreativityitsweight.Itmayachievetechnicalperfection—butatthecostoftheoriginalenergy

thatmakesartstirfeelingswithinpeople.Evenatitsmostimpressive,AIgeneratedartoftenfeelsempty.Ithasno

realemotionsorexperiences,andnoclearcreator,failingtocreateunexpectedsurprisesandarousesharedemotion

withaudience.（我們奮斗、錯誤和局限不僅僅是需要克服的困難一一它們是賦予生命意義的一部分。從這

個角度看，人工智能創(chuàng)造完美藝術(shù)的能力兒乎顯得不自然一一它拒絕了賦予創(chuàng)造力以分量的奮斗。它可能實

現(xiàn)技術(shù)上的完美，但卻以犧牲那種能讓藝術(shù)在人們心中激起情感的原始活力為代價。即使在最令人印象深

刻的時候，人工智能生成的藝術(shù)也常常讓人感覺空洞。它沒有真實的情感或體驗，也沒有明確的創(chuàng)作者，無

法創(chuàng)造出意想不到的驚喜，也無法引起觀眾的共鳴）”可知，文章將人類藝術(shù)和人工智能生成的藝術(shù)進行了

對比，由此推知，作者是通過作匕較來展開論述的。故選C項。

【15題詳解】

主旨大意題。通讀全文,結(jié)合第一段中“ButinaworldwhereAIcangenerateanythingwiththeclickofabutton,

hov/dowedistinguishwhattrulymatters?Howdoeshumanmadeartsurvives?（但在一個人I：智能只需點擊一下

按鈕就能生成任何東西的世界里，我們?nèi)绾螀^(qū)分真正重要的東西呢?人類制作的藝術(shù)如何存續(xù)呢?）"和第二

段中**Theyremindusthatartisnotjustaboutbeautyorskill—itisaboutintention,persistence,andwhatmakes

ushuman.（像它們提醒我們，藝術(shù)不僅僅關(guān)乎美或技巧它關(guān)？意圖、堅持以及使我們成為人類的東西）”

以及后文對?人類藝術(shù)價值的闡述可知，本文主要探討了在人工智能時代人類藝術(shù)為何仍然重要。故C項

“WhyHumanArtStillMattersintheAIAge（為什么在人工智能時代人類藝術(shù)仍然重要）”能概括文章內(nèi)容，

最適合做文章標題。故選C項。

第二節(jié)七選五（共5小題滿分12.5分）

根據(jù)短文內(nèi)容，從短文后的選項中選出能填入空白處的最佳選項。選項中有兩項為多余選

項。

Mostofusenjoytravelling,whetherwe,retravelingabroad,orexploringwherewelive.Besidesrelaxationof

travel,itisalsoawonderfulwayoflearningmoreaboutourselvesandstrengtheningoursocialbonds.

Thewell-beingbenefitsoftravelarewhatdriveustoseioff.Mostofusfollowaroutineeveryday.

16Travel,whetheritisafewdaysoff,oralongerjourney,isawaytorelaxourselvesbothemotionally

andmentally.

Travelisagoodchancetobetterunderstandourselves.Ithelpsusdevelopawarenessofnotonlyourown

existence,butalsoourthoughtsandsurroundings.17Moreover,itteachesuswhatisimportantandwhat

happinessmeanstopeople.

Travelalsoteachesusthesignificanceofcommunicatingwithothers.Goingforawalkwithfriendsinthe

localcountrysidehelpedusrealize（hattimeinnaturewithlovedonesissomethingwe'dliketodo.18

TDenjoyourtravel,severalaspectsshouldbetakenintoconsideration.Startbyfiguringoutwhatwewantto

gainfromthetrip.19Additionally,considerwhatwe'vevaluedaboutthepasttrip,andwhetherthisfits

withwhatwewanttodonow.

2（）Thatcouldbeanythingfromvisitinganewcafeandtryingsomethingonthemenu,to

challenginganewsport.Whenbackhome,keepinmindwhatwevalueinthistrip.Sometimes,it'sthe

conversationwehavewithalocal,ortheexperienceofseeingthecityfromanewperspectivethatstaysinour

inird.

A.Thetimewespendinnaturebringsusmorefriends.

B.Understandingitspurposecanhelpusplanthetripbetter.

C.Inotherwords,itallowsustograspwhatkindofpersonsweare.

D.Theenjoymentofadaytripcanlastlongafteryouarcbackhome.

E.Oneofthemostimportantpartsoftravelisexperiencingsomethingnew.

F.Weseethesamesightsandpeople,whichleavesusfeelingboredovertime.

G.Therefore,weareencouragedtogetoutmoreandenjoymoretimewithourfriends.

【答案】［6.F17.C18.G19.B20.E

【解析】

【導語】本文是一篇說明文。本文主要講述了旅行的好處。旅行不僅可以讓人放松身心，還是了解自己和加

強社交聯(lián)系的好方式。文章強調(diào)，為了享受旅行，我們需要考慮多個方面，包括旅行的目的和過去旅行的經(jīng)

歷。旅行后的回憶，無論是與當?shù)厝说慕徽勥€是從新的角度看待城市，都會讓人難以忘懷。

【16題詳解】

上文提到“Moslofusfollowarouiineeveryday.（我們大多數(shù)人每天都遵循著固定的日常。）"，說明人們的

生活往往陷入了一種常規(guī)和重復；F選項“Weseethesamesightsandpeople,whichleavesusfeelingbored

overtime.（我們看到同樣的風景和人群，這讓我們久而久之感到無聊。）”則進一步解釋了這種日常帶來的

后果，即會感到無聊和乏味。F選項的內(nèi)容與上文形成了因果關(guān)系，且為后文的uTravel,whetheritisafew

daysoff,oralongerjourney,isawaytorelaxourselvesbothemotionallyandmentally.（旅行，無論是休息幾天，

還是長途旅行，都是一種在情感和精神上放松自己的方式。）”提供了合理的背景，說明了人們?yōu)楹螘x擇

旅行來打破日常的枯燥。故選F。

【17題詳解】

上文提至！J44Travelisagoodchancetobetterunderstandourselves.Ithelpsusdevelopawarenessofnotonlyour

ownexistence,butalsoourthoughtsandsunxmndings.（旅行是更好地了解自己好機會。它不僅幫助我們認識

到自己的存在，還幫助我們認識到自己的思想和周圍環(huán)境。）”，說明旅行有助于自我認知；C選項“In

otherwords,itallowsustograspwhatkindofpersonsweare.（換句話說，它讓我們了解自己是什么樣的

人。）”則進一步解釋了旅行如何幫助我們更好地認識自己，即了解自己的性格和特質(zhì)。C選項的內(nèi)容與上

文緊密相連，且對.上文進行了總結(jié)和深化。故選C。

【18題詳解】

上文提至ij44Goingforawalkwithfriendsinthelocalcountiysidehelpedusrealizethattimeinnaturewithloved

onesissomethingwcJdliketodo.（與朋友在當?shù)剜l(xiāng)村散步讓我們意識到，與親人一起在大自然中度過的時

光是我們想做的事情。）”說明與朋友在大自然中度過時光的美好；G選項“Therefore,weareencouragedto

geloutmoreandenjoymoretimewithourfriends.（因此，我們被鼓勵多出去走走，享受與朋友在一起的更多

時光。）”則基于上文的內(nèi)容提出了一個建議或結(jié)論，即我們應(yīng)該多出去走走，與朋友共度更多美好時光。

G選項的內(nèi)容與上文形成了邏輯上的連貫，且為后文的“Travelalsoteachesusthesignificanceof

communicatingwithothers.（旅行也教會了我們與他人溝通的重要性。）”提供了合理的過渡。故選G。

【19題詳解】

上文提至"Toenjoyourtravel,severalaspectsshouldbetakenintoconsideration.Startbyfiguringoutwhatwc

wanttogainfromthetrip.（為了享受我們的旅行，需要考慮幾個方面。首先要弄清楚我們想從這次旅行中獲

得什么。）“，說明在旅行前要明確目的；D選項“Undersiandin^itspurposecanhelpusplanihetrip

betler.（了解它的目的可以幫助我們更好地計劃這次旅行。）”則進一步強調(diào)了明確旅行目的的重要性，并指

出了它對于旅行計劃的意義。B選項的內(nèi)容與上文緊密相連，旦為后文的“Additionally,considerwhat

we'vevaluedaboutthepasttrip,andwhetherthisfitswithwhatwewanttodonow.（另外，還要考慮我們過去旅

行中重視的東西，以及這是否符合我們現(xiàn)在想做的。）”提供了合理的銜接。故選B。

[20題詳解】

卜文提至44Thatcouldbeanythingfromvisitinganewcafeandtryingsomethingonthemenu,tochallenginga

newsport.（那可能是從參觀一家新咖啡館并嘗試菜單上的東西，到挑戰(zhàn)一項新的運動。）”，列舉了一些旅

行中可以體驗的新鮮事物；E選項“Oneofthemostimportantpartsoftravelisexperiencingsomethingnew.（旅

行最重要的一部分之一是體驗新事物。）”則概括了下文的內(nèi)容，指出了體驗新事物在旅行中的重要性。E

選項的內(nèi)容與下文緊密相連，且為整段話提供了主題句。故選E。

二、完形填空（共15小題滿分15分）

閱讀下面短文，從每題所給的A、B、C、D四個選項中選出可以填入空白處的最佳選項。

“Alongtimeago,therelivedaSelfishGiantwhobuiltawallaroundhisgardentokeepchildrenout."This

storysparkedmyloveforreading.

IspentmoretimereadingthanwatchingTVinmychildhood.Mybrothershurriedthroughbooks,butIread

muchmore21,appreciatingeachwordandpointingmyfingerunderthelines22beingtoldit

waschildish.Livinginmyownapartment,I23theGiant'sstoiy,discoveringnewlayers—his

lonelinessandthesmallboy'sgentleness.Hiswords,“Myowngardenismyowngarden,''feltlesslikeangerand

morelikea（n）24forunderstanding.

Yearslater,IrealizedIhadbeenlivingwithintheworldswriters25Stories,1understood,were

intendedtobeenjoyedslowly,not26.Longbeforemodemtechnology,storytellingconnectedhumanity.

Storieshavealwaysbeena27betweenpastandfuture,awaylorememberandimagine.

Myancestors（祖先），28toreadorwrite,hadtokeeptheirstoriesalivethroughsongsandlaughter.

They29theirtraditionsandvalueswithinstories,passingthemdownthroughgenerations.Their

30inspiresme.Ireadslowlytohonorthem,toremembertheSelfishGianttearingdownhiswall,andto

celebratethe31circleofstorytelling.

Today,thoughtechnologyspeedsup,i32slowreading.My33beneaththewordsreminds

meofstories'powerandhasledmeto34.Writinghastaughtmelocreateworldswherepeoplefeelseen

andheard.Stories,whetherread,written,ortold,serveasaconstant35ofourpastandfuture,formingan

unbrokencircle.

21.A.slowlyB.happilyC.quicklyD.suddenly

22.A.forB.throughC.againstD.despite

23.A.retoldB.rereadC.reconsideredD.rewrote

24.A.requestB.reasonC.excuseD.claim

25.A.createdB.imaginedC.rebuiltD.praised

26.A.informedB.scheduledC.rushedD.predicted

27.A.mixtureB.bridgeC.witnessD.comparison

28.A.unableB.unlikelyC.unwillingD.unsure

29.A.detectedB.includedC.suppliedD.abandoned

30.A.wisdomB.courageC.stabilityD.emotion

31.A.unlockedB.unfinishedC.unbrokenD.unheard

32.A.contributetoB.applytoC.addtoD.stickto

33.A.handB.fingerC.armD.fist

34.A.readB.speakC.writeD.view

35.A.reminderB.warningC.rewardD.sense

【答案】21.A22.D23.B24.A25.A26.C27.B28.