哈爾的移動(dòng)城堡TheCartoonKingofJapanHayaoMiyazaki宮崎駿Howl’sMovingCastle哈爾的移動(dòng)城堡Miyazakito"lookforwardtosurvival,movedbylove"todescribe"Howl'sMovingCastle",expectationsshowingamodernsocietycannotbeachievedinthe"waroflovedrama".

宮崎駿以“期盼生存、感動(dòng)愛(ài)情”來(lái)描述《哈爾的移動(dòng)城堡》，期望呈現(xiàn)出一部現(xiàn)代社會(huì)無(wú)法實(shí)現(xiàn)的“戰(zhàn)火中的愛(ài)情劇”。

ThemoviescreenplayadaptedfromtheBritishsciencefictionnovelistDianaWynneJonesnovelofthesamename,tothelate19thcenturytotheearly20thcenturyinEuropeasthebackgroundaroundtheprotagonist,Sophiecursed,fromthe18-year-oldgirlintoa90-year-oldGrannycreativedeparture,HayaoMiyazaki,byvirtueoftheimaginationofgenius,underthesteepmountainsandendlessopensky,creatingamagiccastlewillgo.影片劇本改編自英國(guó)科幻小說(shuō)家黛安娜·韋恩·瓊斯的同名小說(shuō)，以19世紀(jì)末到20世紀(jì)初期的歐洲為背景，圍繞主人公蘇菲受到詛咒，從18歲少女變成90歲老太這個(gè)創(chuàng)意出發(fā)，宮崎駿憑借天才的想象力，在陡峻的崇山和一望無(wú)際敞開(kāi)的天際之下，創(chuàng)造了一座會(huì)走的魔法城堡。GoodandsincereSophieHatshopgirl,withadreamofimmoderation.Shewasstrongandoptimisticwhenwaswildernessintoa90-year-oldwoman,finallyshehastheconfidenceandfindshappiness·

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·帽子店的小姑娘，擁有夢(mèng)想不甘平庸。堅(jiān)強(qiáng)，當(dāng)被荒野女巫變成90歲的老太婆后依然樂(lè)觀堅(jiān)強(qiáng)，最后終于擁有了自信，找到了幸?！ぁぁど屏颊嬲\(chéng)的蘇菲HandsomemagicianHowl帥氣的魔法師哈爾

移動(dòng)城堡

ThisistheMovingCastle.荒野女巫將蘇菲變?yōu)槔咸拧ぁophiebecomesoldwoman···WildernessWitchTheboyisMaLuKe.HeislivingintheMovingCastle.這個(gè)小男孩是馬克魯。他居住在移動(dòng)城堡里。

鄰國(guó)的王子，被施了魔法變成稻草人，后來(lái)被蘇菲親吻，變回人··ThePrinceofneighbouringcountries,wasbymagicbecomesthescarecrow,thenkissedbySophie,changesbacktoahuman··Loveisawarmandexoticjourney,isalsoamundaneandhumblegirlsregainherself.HayaoMiyazaki’sanimationintheworld,willalwaysaroundatopic,thatisgoodandtrue.愛(ài)情是一次溫暖而新奇的歷程，也是一個(gè)平凡且自卑的女孩重拾自我的過(guò)程。宮崎峻的動(dòng)畫(huà)世界里，永遠(yuǎn)都轉(zhuǎn)繞一個(gè)明確的主題，那就是：善良與真我。

片中常有幽默對(duì)白和場(chǎng)景，對(duì)衰老、死亡和愛(ài)情都做出了不俗思考。從另一種形式，一連串非理性下表現(xiàn)的卻是一種神秘的關(guān)聯(lián)。蘇菲雖然在咒語(yǔ)的作用下，外表衰老成90歲的老人，但她的內(nèi)心依然保持著少女的天真和樂(lè)觀.這種關(guān)于年輕和衰老表面和深層的對(duì)比，還通過(guò)住在移動(dòng)城堡中的小男孩馬魯克進(jìn)一步加深。Thefilmoftenhumorousdialogueandscenes,aging,deathandlovehavemade??impressivethinking.Fromanotherform,aseriesofnon-therationalperformanceisamysteriousassociation.Sophieintheroleofaspell,theappearanceofaging90-year-oldwoman,butherheartremainswiththeinnocenceandoptimismoftheyounggirls.Youngandaging,surfaceanddeepcontrast,alsobylivinginMovingCastlethelittleboyMaLukefurtherdeepened.

EachworkofHayaoMiyazaki,subjectsaredifferent.Butitcontainsadream,environmentalprotection,life,survivalandotherinformation.Hewasthenotonlyresonate（共鳴）withtheglobalone,butalsobypayingattentiontotheworld,eventheUnitedStatesKingdomofDisneyanimation,HayaoMiyazaki‘sanimationshouldbereferredasappropriate

filmdistributionrights(excludingAsia).

HayaoMiyazakihasbeencommented:“Thenightwithoutmoon,buttheanimationindustrycannotdowithoutHayaoMiyazaki.”

宮崎駿的每部作品，題材雖然不同，但卻將夢(mèng)想